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Au Hasard Balthazar Recommended by MovieMail

Au Hasard Balthazar  Sleeve

Our DVD Price: £9.99

RRP: £19.99 Save £10.00 (50%)

 

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Robert Bresson on DVD - from just £9.99!

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Film Description

Unadorned, unassuming, unsentimental, Bresson's masterpiece puts a donkey centre stage and through him we see all humanity. Never was an animal treated with such respect by a filmmaker; never were we viewed, in all our stupidity and transcendence, with such unrelenting compassion. 'Everyone who sees this film will be absolutely astonished, because this film is really the world in an hour and a half' - Jean-Luc Godard.

 

Film Information

Director Robert Bresson
Starring Francois Lafarge, Phillippe Asselin, Anne Wiazemsky

 

Genre World Cinema

 

Country France Language FRENCH   Year 1966

 

DVD Extras

Restored print; Picture gallery; Bresson filmography.

 

Technical Details

Certificate PG   Length 91 mins   Label NOUVE
Cat No NPD1023   Format DVD   Black & White
     Aspect 16:9 anamorphic widescreen
Subtitles English.

 

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2 Stills

 

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Share your thoughts and opinions - write a review

 

Review by Doug Cummings on 26th October 2004

Of all of French auteur Robert Bresson's films, Au Hasard Balthazar (1966) may be his most beloved and yet rarely screened film. Ranked in the top twenty all-time great works of the cinema in Sight & Sound's recent polling of over 200 international critics, Bresson's masterpiece is a stunning parable framed through the stages of a donkey's birth, life, and death as it shoulders the pain of the world. Unlike most movies with animal characters, however, the donkey Balthazar remains completely non-anthropomorphic, mysterious and inscrutable, appearing only sporadically in the film's elliptical narrative.

Bresson, ever the chronicler of inner states, focuses more on the human characters in his story (one of his few non-literary adaptations) and draws from a cast of non-professional actors (or "models") who embody characters in rural France: the teenaged Marie (Anne Wiazemsky, future wife of Jean-Luc Godard) finds herself emotionally drawn to an amoral hoodlum, Gerard, and spurns her more conventional lover, Jacques; Marie's father inherits a farm property
and prides himself on its upkeep to a degree that scandalizes the local community; Arnold, a town drunkard, wanders around until he finds himself embroiled in a murder case.

The film is famous for its inimitable Bressonian touches: the beautiful faces of his models with downcast eyes and hidden souls, their physical actions emphasizing their hands; the vivid soundtrack assembled in careful tandem with every frame of the film-from layered rural sounds to material textures to Balthazar's heartbreaking braying; the precise use of Schubert's meditative sonata; the
cumulative power of the film's paradoxical treatment of behaviors and desires that reveal a portrait of the human condition; the philosophical tensions of free will and fate, suffering and redemption. It's a teasing, haunting, and deeply affecting achievement that could quite possibly alter the way you watch movies forever.

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Article - "Robert Bresson: The Cinema of Hidden Souls" by Doug Cummings
Monday 9th May 2005

Some filmmakers are creative tyrants, using cinematic techniques to prescribe emotional reactions. Other filmmakers believe less is more, offering subdued, elliptical, ambiguous works that paradoxically elicit deeper and more enduring feelings. In this latter categor...  View article in full

 

 

Article - "Bresson's lucid cinema: Lancelot du Lac and The Devil, Probably" by Jonathan Hourigan
Monday 31st March 2008

Lancelot du Lac

Lancelot du Lac is a towering, luminescent achievement. Bresson’s eleventh feature, his third in colour and the first of three collaborations with the distinguished Italian cinematographer, Pasqualino de Santis, it is amongst Br...  View article in full

 

 

 

 

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Collections & Lists

This film is part of the following Film Collections

 

Sight and Sound Critics Choice 2002

Including: 2001: A Space Odyssey, Andrei Rublev, Au Hasard Balthazar, Bicycle Thieves, Breathless (Godard, 1959), Charlie Chaplin - City Lights, Fanny and Alexander, Fellinis 8 1/2, Intolerance, Ivan The Terrible (Parts 1 & 2).

 

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