Dracula (Coppola)

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Film Description

Aka Bram Stoker's Dracula. Inventive, erotic, unsettling, this is the first mainstream film version successfully to merge the immoral sexuality of vampirism with the fin-de-siécle decadence of Victorian London nightlife. Gary Oldman is masterful as the eponymous Count - he brings a malevolent vibrancy to a role that, in other hands, had long foundered in clichéd lethargy. Loaded with stylish visual trickery, this is a refreshing anomaly in Coppola's later career, and reminds us of the cinematic flamboyance of his better days.

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2 discs;

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Review by Julian Upton on 30th August 2000

Coppola's dazzling version of Bram stoker's novel finds the director on unexpectedly good form. Inventive, erotic, unsettling, this is the first mainstream film version successfully to merge the immoral sexuality of vampirism with the kinetic fin-de-siécle decadence of Victorian London nightlife. Gary Oldman is masterful as the eponymous Count - he brings a malevolent vibrancy to a role that, in other hands, had long foundered in clichéd lethargy. Loaded with stylish visual trickery, Bram Stoker's Dracula is a refreshing anomaly in Coppola's later career, and reminds us of the cinematic flamboyance of his better days.

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Review by richard Armstrong on

A visually spectacular rendition of the original which spares no opportunity to be as baroque as a man’s tongue passing across a bloodied razor. (AKA Bram Stoker’s Dracula).

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