The Go-Between

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Film Description

Adaptation of the novel by L P Hartley, scripted by Harold Pinter. Seen through the eyes of a young boy, a love affair between the daughter of an affluent rural family and a local farmer is cruelly thwarted by the class prejudice and convention. Beautifully photographed and strongly atmospheric.

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Pan and scan.

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3 Stills

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Review by Peter Wild on 18th December 2006

Like the blind men and the elephant, Joseph Losey is a film director you may view a variety of different ways according to which of his film you have seen. At one end of the scale, you have stylish crime dramas (like The Sleeping Tiger, an early movie Losey filmed under the pseudonym Victor Hanbury), dizzying flights of intellectual fancy (such as the daring and decadent Eva, filmed in 1962 and starring Jeane Moreau) and complex and sexually ambiguous melodrama (in the shape of The Servant, Losey\'s first collaboration with Nobel Prize winner Harold Pinter); at the other end of the scale, you have both the sublime (in the shape of the vastly under-rated Mia Farrow / Elizabeth Taylor double-header Secret Ceremony) and the ridiculous (take your pick of Boom!, Modesty Blaise or The Assassination of Trotsky, the latter of which ludicrously miscast Richard Burton as the eponymous Russian exile). Regarded by many as Losey\'s last great masterpiece in an otherwise greatly chequered career, The Go-Between sits very definitely in the former camp than the latter.

Reuniting with Pinter for the third and final time (the pair also worked up Accident in between The Servant and The Go-Between, about which \'least said, soonest mended\') to adapt the stately novel by LP Hartley, the film once more concerns itself, as many of Losey\'s better films did, with the relationships between the classes and, more particularly, the relationship between men of one class and women of another. The Go-Between of the title is Leo, a young boy invited to summer with his chum Marcus, a wealthy classmate, in the family\'s grand home in rural Norfolk. Introduced to Marcus\' sister Marian (a glacial Julie Christie), herself engaged to be wed to all round good egg Hugh (played with a waspish charm by Edward Fox) - it isn\'t long before Leo is caught up in all manner of illicit carrying on, transporting messages between Marian and neighbouring rake, Ted Burgess (Alan Bates playing the commoner card for all he\'s worth). Of course, Leo\'s naivety is quickly worn down and replaced by a dissembling edge and the lovers are, pretty much from the outset, on a course for disaster.

Beautifully filmed, with an understated (and unexpected, given who the director is) eye for detail, The Go-Between is best approached as a precursor of Kubrick\'s superior Barry Lyndon. Also worth noting is the driving score by Michael LeGrand, considered by many to be among the greatest film scores of all time.

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Article - "Joseph Losey (1909 ? 1984)" by Chris Jones
Tuesday 15th June 2004

In 1984, shortly after the director’s death, critic Michel Ciment wrote the following regarding Losey’s career which in retrospect seems no less apposite to the director’s current standing. Ciment comments that “Joseph Losey lived several lives and the mass of contra...  View article in full

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Palme D'Or Winners

Including: All That Jazz, Apocalypse Now Redux, Blow-up, Brief Encounter (Lean, 1945), Dancer in The Dark, Elephant, Kagemusha, La Dolce Vita, Marty, MASH.

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