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Pans Labyrinth Recommended by MovieMail

Pans Labyrinth Sleeve

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Film Description

One of the big critical hits at Cannes, Pan's Labyrinth is del Toro's most imaginative and moving film to date, an adult fairy tale in which both fantasy and reality are sinister and malevolent. Set in Spain, 1944, five years after the Civil War, a young girl and her pregnant mother travel to live with her new stepfather, a sadistic captain in the Civil Guard. One night she encounters a faun, who tells her she is a lost princess, and that she needs to undertake three dangerous tasks to reclaim her birthright. Meanwhile, her stepfather hounds anti-Franco guerillas who are hiding in the forest, whilst her mother falls dangerously ill...

 

Film Information

Director Guillermo del Toro
Starring Sergi Lopez, Maribel Verdu, Ivana Baquero

 

Genre World Cinema

 

Country Spain Language SPANISH   Year 2006

 

DVD Extras

2 discs. Director's commentary; Director's Prologue; Spanish Language Trailer; UK Theatrical Trailer; International Trailers; The Power of the Myth featurette on DVD comics; El Fauno Y Las Hadas featurette; The Colour & The Shape featurette; Director's Notebook; Storyboard Video prologue; Notebook Video Prologue; Storyboard / Thumbnail Comparisons; Picture galleries.

 

Technical Details

Certificate 15   Length 119 mins   Label OPTIM
Cat No OPTD0756   Format DVD   Colour
Region2   Aspect Widescreen
Subtitles English.

 

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1 Trailer

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Reviews & Articles

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Review by Howard Schumann on 23rd October 2007

Guillermo Del Toro’s Pan’s Labyrinth owes much to the Latin genre of magic realism, as it reflects the grim fantasies of a young child caught in the middle of a brutal conflict and her desperate longing for a world without pain. Set in Spain after Franco had emerged victorious in the Spanish Civil War, Nationalist troops and die hard resistance fighters continue the struggle in the Spanish countryside. As Carmen (Ariadna Gil) and her daughter Ofelia, brilliantly performed by Ivana Baquero, travel to join Carmen’s new husband, Falangist Captain Vidal (Sergei Lopez) in his military headquarters, we hear the story in voice-over of an underground country where “there are no lies and no pain”, a metaphor perhaps for the thousands of Franco resisters who were forced to go underground.

When Ofelia reaches the military headquarters, she discovers an ancient stone labyrinth near her new home and meets seven-foot tall Pan, a half-man half-goat “faun”, (Doug Jones) who tells her that she is the princess who everyone in his kingdom has longed for. To return to her true home and be reunited with her father, however, she must complete three arduous tasks, revealed to her by touching the blank pages of large notebook. The film shifts seamlessly between fantasy sequences and armed conflict and, as the world around her grows darker and her mother becomes sicker, Ofelia further retreats into her dream world.

Soon she must make the most difficult choice any person can be asked to make. Pan’s Labyrinth is a strong and heartfelt film about memory and, as both Ofelia and Vidal remember their fathers, del Toro wants the world to remember the sadistic nature of the Franco regime, the courage of those who stood up to its brutality, and the innocence his country lost forever.

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Review by Alex Davidson on 1st February 2007

One of the big critical hits at Cannes, and nominated for six Oscars (an astonishing tally for a foreign language picture), Pan's Labyrinth is Mexican director Guillermo del Toro's best film to date, an adult fairy tale where both fantasy and reality are sinister and malevolent; it is the most imaginative and inventive film of 2006.

Set in Spain, 1944, five years after the Spanish Civil War, a young girl, Ofelia (Ivana Baquero, very promising in a difficult role) and her pregnant mother travel to live with her new stepfather, a sadistic captain in the Civil Guard whom she loathes. One night she follows a fairy into the titular labyrinth where she encounters a faun, who tells her she is a lost princess, and that she needs to undertake three dangerous tasks to reclaim her birth right. Meanwhile, her stepfather hounds anti-Franco guerillas who are hiding in the forest, whilst her mother falls dangerously ill.

The tasks Ofelia must undergo are brilliantly envisaged by del Toro, who also wrote the script. She encounters a hideous giant toad and a pale, child-eating monster with eyes in the palms of his hands - the latter leads to a genuinely nightmarish sequence, as the girl must negotiate a dead end as the monster stumbles ever closer. These scenes pulsate with the spirit of the crueller stories of The Brothers Grimm and Hans Christian Anderson.

In spite of the unforgettable fantasy on display, the human stories are even more compelling. Maribel Verdu is hugely empathetic as the captain's maid, who illicitly helps the guerillas by smuggling out supplies, and Sergi Lopez (from Harry, He's Here To Help) is superb as the stepfather, a villain as terrifying as anything in the fantasy world. The ending is extremely moving, adding a human element that is arguably missing from del Toro's previous work. As with Penelope Cruz's career-best turn in Volver, it would appear that world cinema talent flourishes best when away from Hollywood - here del Toro has no need to capitulate to studio demands, and he has created an astounding film.

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Collections & Lists

This film is part of the following Customer Film Lists

 

Mike McCahill's Films of the Year 2007 by Mike McCahill

With the cinema deluged with uninspired sequels and needless remakes, DVD has been a reliable source of both discovery and solace over the past twelve months. My selection offers some of the most striking sights I’ve witnessed of late: a faun-like creature standing ten-feet high; naked men wrestling in shocked hotel lobbies; and a former teen pop idol transforming into an ambassador for music from another planet. Take That and the Spice Girls: take note.

 

MovieMail Customer's Favourite Films of 2007 by MovieMail

A big thank you to all that took the time to vote this year, we had a fantastic response with over 1700 votes cast. The results are certainly interesting, with a good crossover with our own Films of the Year, but plenty of new blood too! The lucky winner, who receives all 12 of our favourites, was Jenny Copland from Tayport.

Make sure you also check out MovieMail's Films of the Year and our contributor's favourites - David Parkinson, Julian Upton, Michael Brooke, Graeme Hobbs, Mike McCahill, Pasquale Iannone, Pasquale Iannone and Alex Davidson.

 

MovieMail's Films Of The Year 2007 by MovieMail


As well as our own favourite films of the year, we also compiled MovieMail Customer's Favourite Films of 2007 and present our contributor's favourites - David Parkinson, Julian Upton, Michael Brooke, Graeme Hobbs, Mike McCahill, Pasquale Iannone, Pasquale Iannone and Alex Davidson.

As ever it has been tough. Strong contenders demoted at the last minute, personal favourites discarded, some coarse language exchanged, but here we are - twelve sterling examples of filmmaking that, as a whole, represent our, and hopefully your, taste in cinema.

Needless to say, they are all highly recommended - if there are any in the list that you don't own, don't hesitate to get them. Once you've finished with the final twelve, have a look at the nine Runners Up that we couldn't bear not to mention...

 

My film list 1950-2007 by Mikala Halskov

The film list will contain my favorite film from 1950 to today

 

#Create your own Film List!

 

 

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