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The Spy Who Came In From The Cold Recommended by MovieMail

The Spy Who Came In From The Cold Sleeve

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Film Description

This adaptation from John le Carre’s novel perfectly captures the rather seedy, down-at-heel atmosphere of Cold War espionage and also features one of Richard Burton’s best performances as the apparently washed-up spy Leamas. The back-up cast is particularly strong too – Michael Hordern, Claire Bloom, Oskar Werner and Cyril Cusack among others, all at the service of the film’s atmosphere. The film features a fantastically tight script too with not a word wasted.

 

Film Information

Director Martin Ritt
Starring Richard Burton, Claire Bloom, Oskar Werner, Sam Wanamaker

 

Genre Classic Film

 

Country UK Language ENGLISH   Year 1965

 

Technical Details

Certificate PG   Length 112 mins   Label PARAH
Cat No PHE9101   Format DVD   Black & White
Region2    

 

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5 Stills

 

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Reviews & Articles

Share your thoughts and opinions - write a review

 

Review by Graeme Hobbs on 6th October 2006

This is a cold war espionage film of the highest class. Burton plays Leamas, station head in Berlin, powerless to prevent his agents losing their lives. Control (Cyril Cusack) asks him back to London and wonders if he should 'come in from the cold', then invites him to stay out in it, just for a little longer. He says, 'Our work is based on the single assumption that the West is never going to be the aggressor. Thus, we do disagreeable things, but we're defensive. Our policies are peaceful, but our methods can't afford to be less ruthless than those of the opposition.' So begins a section of elisions and uncertainty over Leamas's actions, which is the last I'll say about the plot. If you don't know it, it's fiendish in its poker-faced machinations.
Burton's presence is magnetic - but not at the expense of the overall atmosphere of the film, which is one of shabby existential torpor. He plays a man who has been too long in a world where the only loyalty is to expediency. Ever-watchful, at points his self-composed stillness explodes into a snarling intensity. Spies are 'a bunch of seedy, squalid bastards like me' he says. Claire Bloom plays the earnest, perkily innocent librarian who gets drawn into his connections. There's no glamour here though - his is a world of smoky boozers and rain, the labour exchange and tinned tomato soup from the corner shop.
Other elements of the film maintain the atmosphere. Oswald Morris's camera roams softly around, laying out the geography of offices, cells and the puddly courtyards with an oily darkness to their ground. Sol Kaplan's score is sparing and appropriate; often though there is no sound at all except the quietness of a room in which two people try to second-guess each other. Paul Dehn and Guy Trosper's screenplay, from John le Carré’s source novel of the same name, is a masterclass with barely a word wasted. By the end of the film even the most casual of asides have assumed terrible retrospective meaning.

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Article - "The Deadly Affair" by Graeme Hobbs
Wednesday 8th November 2006

The Deadly Affair is based on a John le Carré novel, his first in fact, Call for the Dead from 1962, which introduced the characters that would become familiar throughout the world created in his spy novels – Smiley, Mundt and Peter Guillam among them. ...  View article in full

 

 

Article - "Watching the Spies" by Barry Forshaw
Monday 29th January 2007

While espionage has long been one of the most reliably engrossing of literary genres, it’s simultaneously been a godsend to the cinema, where the dark psychological areas explored by the great spy novelists can find the perfect visual equivalents. As with these excel...  View article in full

 

 

 

 

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Collections & Lists

This film is part of the following Customer Film Lists

 

Graeme Hobbs' Films Of The Year 2006 by Graeme Hobbs

 

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