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Director |
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Year |
2006 |
Country |
Certificate |
15 |
Length |
106 mins |
Label |
UPV |
Format |
DVD Colour |
Region |
2 |
Aspect |
2.35 Wide Screen |
Cat No |
8244981 |
Main Language |
ENGLISH |
The rebellion of the passengers on Flight 93, the commercial aeroplane that was almost certainly set to smash into the White House on 9/11, adopted mythical status almost as soon as the details began to be known. The notion of desperate citizens thwarting the terrorist plot and altering history is incredibly moving, and has lead to inappropriate sentimentalising and ill-considered deification for all those on board. This is the great achievement of UK director Paul Greengrass' United 93, a film that exerts an incredible power through the depiction of all its characters, terrorists included, as human beings, rather than the gods and monsters the media have illustrated.
Although the action is soberly depicted, the film nevertheless criticises the US government's handling of the attacks. When the planes start to hit their targets (the moment when the first plane hits the towers is still shocking, in spite of its familiarity), the President is completely unreachable, at a time when people were in desperate need of guidance.
The admirably tasteful film follows the events on both sky and ground level, and the passengers' slow realisation that they are on a suicide mission, following the reports of the attacks on the World Trade Centre, troublingly conveys the growing dread and desperation. The acting of the film is disquietingly believable - the contained emotions of the controllers on the ground is sharply contrasted by the tangible terror of the doomed passengers. Passenger Todd Beamer's famous remark "let's roll", far from being the triumphant rallying cry endlessly mythologised in the press, is a simple statement of resolution, a far more believable scenario. Another effective, and credible, decision is to suggest that the passengers were motivated by the hope that their actions would save their own lives (one of them knew how to fly a plane) rather than a heroic attempt to prevent further bloodshed. The last twenty minutes, in which chaos and confusion reign, are simply astonishing - harrowing, sad and, thanks to its sophisticated refusal to exaggerate, deeply moving. One of the very best films of the year, and a definite contender for next year's Oscars.
Alex Davidson on 14th September 2006
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By Sue on 5th October 2006
I simply imagine how will a husband, a child, wife, a mother, a son, a daughter or a grandchild feel when watching the tragic death of their loves ones into a movie li... more >
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