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Early Cinema: Primitives And Pioneers Recommended by MovieMail

Early Cinema: Primitives And Pioneers  Sleeve

Our DVD Price: £15.99

RRP: £19.99 Save £4.00 (20%)

 

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Film Description

A wide-ranging collection of fifty-nine films from the pre-1910 period of cinema that shows how many of today’s film devices such as the close-up, the cut-away and editing were first used before the turn of the 19th century! Far too many films to list here but there are highlights from Lumière, Pathé, Méliès, G. A. Smith (Mary Jane’s Mishap) and the Hepworth Manufacturing Company (Rescued by Rover) plus a newly restored and tinted version of Edwin S. Porter’s The Great Train Robbery.

 

Film Information

Director Various
Genre Silent Film

 

Country UK Language SILENT   Year 1896-1910

 

DVD Extras

Two discs; Optional audio commentary; New music score from Neil Brand, John Sweeny and Stephen Horne.

 

Technical Details

Certificate E   Length 187 mins   Label BFI
Cat No BFIVD643   Format DVD   Colour
Region2   Aspect 1.33:1
Subtitles English HoH.

 

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2 Stills

 

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Share your thoughts and opinions - write a review

 

Review by Graeme Hobbs on 9th August 2005

Following on the release of Electric Edwardians, featuring films from the astounding find of Mitchell and Kenyon's work, the bfi continue their programme of early cinema releases with this collection of 59 films made between 1895-1906. All the luminaries of early cinema are represented, with works included by Lumière - Sortie d'Usine, Méliès - Voyage à travers l'impossible, George Albert Smith - Mary Jane's Mishap, Haggar & Sons - Desperate Poaching Affray, The Hepworth Manufacturing Company - Rescued by Rover and Cricks & Martin's A Visit to Peek Frean's Biscuit Works. There's also a newly restored and tinted version of Edwin S. Porter's The Great Train Robbery, and the Edison Manufacturing Company's The Dream of a Rarebit Fiend which includes a striking simulation of drunkenness using superimposed panning shots.
Some of the most impressive films of the era however came from Pathé Frères, especially in their hand-tinted treatments of Ali Baba et les Quarante Voleurs and Aladdin ou la Lampe Merveilleuse, where the beautiful use of colour adds a little touch of magic and conveys something of the marvel of film that we now take so much for granted.

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Article - "Decasia - The Accidental Beauty of Decaying Film" by Graeme Hobbs
Friday 1st June 2007

I was watching FW Murnau's Nosferatu in a cinema a few years ago when something quite unexpected happened. It occured on the first night in Orlok's castle, just after Hutter has cut himself with the bread knife on the stroke of midnight. Count Orlok extends hi...  View article in full

 

 

Article - "Living Pictures - The Early Days of Film" by Graeme Hobbs
Tuesday 10th October 2006

From cinema's very inception, its appeal has lain with the presentation of illusions and the recording of actuality. Here, Graeme Hobbs looks at how the intersection of these two elements provides us with some of the finest films of that era, and which continue to...  View article in full

 

 

 

 

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