Collateral

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During the course of one long night, Vincent, a ruthless hitman holds a taxi driver, Max, hostage while they drive around to complete his hit list before dawn. Evocative of his early work and shot mostly on High Definition Digital cameras, Michael Mann returns to the darkness of LA, creating a stylish, intense thriller out of the simplest of plots.

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Review by Alex Davidson on 22nd December 2004

During the course of one long night, Vincent (Tom Cruise), a ruthless hitman, holds a taxi driver, Max (Jamie Foxx), hostage while they drive around to complete his hit list before dawn. Evocative of his early work and shot mostly on High Definition Digital cameras, Michael Mann returns to the darkness of LA, creating a stylish, intense thriller out of the simplest of plots. Mann has always been expert at creating mood, and he surpasses himself here, whilst the hunter/hunted dynamic grips from the moment the two characters meet. The action set pieces are brilliantly handled, with a particularly chilling sequence in a nightclub, where Max, unseen, picks off his victims one by one. After the lackluster Ali, Michael Mann is back at his best.

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Article - "Flicker Fusion: A fond farewell to film" by Julian Upton
Friday 8th September 2006

My aesthetic Luddism kicked in when I was growing up in the eighties. Even though I’d been too young to really appreciate the virtues of Super 8 cine-film, I was already lamenting its replacement with video. Home videos looked ugly, shaky and fizzy; Super 8, although...  View article in full

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