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Michael (Masters of Cinema) Recommended by MovieMail

Michael (Masters of Cinema)  Sleeve

Our DVD Price: £15.99

RRP: £19.99 Save £4.00 (20%)

 

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Film Description

Aka Mikael. Made in Germany with accomplished cinematography by Karl Freund and Rudolph Maté, this is an intimate drama based around an ageing artist left distraught after his young model Michael leaves him for a penniless princess. In its examination of the requirements of trule love, it foreshadows Dreyer's final work, Gertrud.

 

Film Information

Director Carl Theodor Dreyer
Starring Walter Slezak, Benjamin Christensen, Nora Gregor

 

Genre Silent Film

 

Country Denmark Language SILENT   Year 1924

 

DVD Extras

Double-disc set with 20 page booklet; Two different transfers of the film; Two scores; Full-length audio commentary by Caspar Tybjerg; 26 minute audio interview with Dreyer from 1965.

 

Technical Details

Certificate U   Length 80 mins   Label EUREK
Cat No EKA40077   Format DVD   Black & White
     Aspect 4:3
Subtitles English

 

Reviews & Articles

Share your thoughts and opinions - write a review

 

Review by Graeme Hobbs on 4th October 2004

Beautifully presented in two restored versions and with an informative 20-page booklet, Dreyer’s Michael marks its 80th birthday with its first release on home video, and also includes a significant extra in a half-hour audio interview with Carl Dreyer recorded in 1965. The film itself recreates the atmosphere of fin-de-siècle opulence in a respected artist’s studio in which the painter watches helpless as his young model Michael moves away from his own attentions and into the arms of a penniless Princess. There is a subtle and intimate eroticism at play in a number of its scenes and its assured presentation of the atmosphere of unspoken love is masterful. Taking the form of a ‘kammerspiel’ or chamber drama, in which overt stylization is relinquished in favour of a concentration on the psychology of a few characters in intimate surroundings, in Michael these surroundings are all but suffocating with the opulent furnishings of the period making the characters’ loneliness all the more affecting.

It is a remarkable film for its sympathetic presentation of homosexual love. Not that this made any difference to its early showings in the USA where, although its original title The Inverts was dropped after protests from the censors, it was shown uncredited as Chained: A Story of the Third Sex and presented in a dubious cinema along with a ‘scientific lecture’.

Its examination of the requirements of true and great love foreshadows Dreyer’s final film Gertrud by forty years and provides a welcome companion piece. Photographed by Karl Freund and Rudolph Maté, the film also features Karl Freund’s only appearance in front of the camera as an art dealer.

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Collections & Lists

This film is part of the following Film Collections

 

Masters Of Cinema

Including: Abhijan (Masters Of Cinema), Asphalt (Masters Of Cinema), Assassination (Masters Of Cinema), Bellissima (Masters of Cinema), Diary Of A Lost Girl, Edvard Munch (Masters of Cinema), F For Fake, Fantastic Planet, Faust (Murnau), Francesco Giullare Di Dio (Masters Of Cinema).

 

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