The Leopard

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Film Description

Aka Il Gattopardo. A sumptuous masterpiece and a true epic based around an aristocratic Sicilian family threatened by political turmoil. Now restored to its full-length widescreen grandeur, it can truly be appreciated for the masterful work it is. An absolute visual feast.

Film Information

DVD Extras

New high-definition transfer from original 70mm materials; Feature commentary by David Forgacs and Rossana Capitano; Interview with Claudia Cardinale; Original Trailer; Visconti biography.

Technical Details

Film Media

8 Stills

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Reviews & Articles

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Review by Graeme Hobbs on 8th April 2004

Beautifully pitched between fetishisation of the opulent settings and a subversive mischief that undercuts them, this is both a marvellous spectacle and a superlative cinematic experience with the whirling dance of the characters in the ball sequence a supreme lesson in cinematic effect. At times it seems the entire film can be plotted in terms of movement of the characters and the pasts and futures they represent.

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Review by Barry Forshaw on 24th September 2004

At last it’s available on DVD! Visconti's beautiful and powerful drama, long available only in a cut and truncated form, receives a welcome restoration. Visconti's adaptation of di Lampedusa’s classic novel is one of the director’s great movies, although it’s been hard to judge in the version we’ve been able to see until now. It’s hard to think that the three principal actors were all acting in their own languages (Burt Lancaster, English, Alain Delon, French and Claudia Cardinal, Italian), so unified is the final effect (wisely, Italian has been chosen as the default language). The only question is: why have we had to wait so long for this restoration?

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Review by Andy Mckay on 13th April 2004

Arguably Visconti’s masterpiece, The Leopard’s reputation as an important work had been severely damaged by 20th Century Fox. Despite winning the Palme D’or at Cannes and receiving critical acclaim in Europe, Fox inexplicably and comprehensively hacked into the film, releasing a shorter, dubbed version. Now restored to its majestic self, Visconti’s epic has seen its worth re-evaluated and its stock rise; with good reason. There is much to admire.

The film follows the decline of the Sicilian aristocracy during the Risorgimento; the Republican revolution in Italy which took place in the 1860s; and a story not too dissimilar from Visconti’s own family history. Born Count Don Luchino Visconti Di Morone, his aristocratic upbringing was to be a strange bedfellow with his Marxist leanings, prompting Salvador Dali to spit: ‘He was a Communist who only liked luxury’.

It is this dichotomy which fascinates, giving Visconti’s work a sense of melodrama, which, coupled with his acute and instinctive storytelling ability, provides The Leopard with a strong resonance. The Leopard of the title is Prince Salina (Lancaster) whose fortunes are in decline. The Prince arranges a marriage between his nephew, Tancredi (Delon) and Angelica, (Cardinale) daughter of the rich merchant Don Calogero, who will bring a handsome dowry into the family. Eventually, the Prince is offered a seat in the newly formed Senate, but can’t bring himself to have anything to do with the new ruling order. The film builds to its climax; an awesome Ball scene which still has few peers, in which Angelica makes a successful society debut and the Prince becomes all the more contemplative as he faces the realisation that the old order and world he knows is over.

It is Lancaster’s movie, a performance that is understated and infused with a dignity which runs through his character like a watermark. Lancaster allegedly based his character on Visconti himself, although how much truth is in this is debatable. Visconti’s treatment of Lancaster on set was reportedly abysmal and there was no love lost between them. Delon was no stranger to appearances in Italian movies at this time (L’Eclisse, Rocco and his Brothers) and was a favourite leading man of Visconti’s, his good looks appealing to the bi-sexual director. Delon turns in a typically brooding performance here and the screen adores him. Claudia Cardinale never really attained the status of a true movie great but has enduring popularity, suffering perhaps from the fact that her looks tended to overshadow her ability. In The Leopard, Cardinale gives a spirited, almost gritty performance, most memorably in the scene where she disgraces herself at dinner.

The Leopard is ultimately the moment when Visconti’s art and philosophies come together. The film ruminates on the timeless theme of old against new, of the moment where change is at its most radical and shocking and acceptance of it would somehow be a betrayal to the way things were, regardless of the benefits that those changes might bring. Visconti was a man that could acknowledge the need for change in the world around him whilst reject the ‘vulgarity’ that illustrated the the differences between the present and past. It is this humanist streak that makes The Leopard a timeless and compelling piece of cinema.

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Article - "The Damned and Death in Venice" by Pasquale Iannone
Tuesday 2nd March 2004

With his debut feature Ossessione (1942), Italian director Luchino Visconti (1906 - 1976) distilled the ambition, the protests, the irony and the polemics of a whole group of filmmakers who longed to explore the artistic possibilities of cinema which had for m...  View article in full

Article - "The Leopard" by Geoffrey Nowell-Smith
Friday 10th September 2004

Luchino Visconti’s The Leopard is a splendid film. People who saw it at Cannes in 1963 remember being simply awestruck by its grandeur, its sensuous beauty, its historical sweep, and especially its colour. Never had Technicolor been deployed to such effect, filling w...  View article in full

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This film is part of the following Film Collections

Best Melodramas

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Including: A Matter of Life and Death , An Affair To Remember, An American In Paris, Breakfast At Tiffanys, Brief Encounter (1945), Carousel, Casablanca, Doctor Zhivago, Full Moon In Paris, Gone With The Wind.

Palme D'Or Winners

Including: All That Jazz, Apocalypse Now Redux, Blow-up, Brief Encounter (1945), Dancer in The Dark, Elephant, Kagemusha, La Dolce Vita, Marty, MASH.

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