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People on Sunday Recommended by MovieMail

People on Sunday  Sleeve

Our DVD Price: £15.99

RRP: £19.99 Save £4.00 (20%)

 

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In Stock - should be despatched within 24 hours.  This product will be dispatched from Guernsey. Delivery times

 

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Film Description

Marking the debuts of such talents as Billy Wilder, Fred Zinnemann, Edgar Ulmer, Robert and Curt Siodmak and cinematographer Eugene Schufftan, People on Sunday is a revelation. It's an inventive and naturalistic account of ordinary working types on their day off (filmed only on Sundays of course) and really is as an unheralded pinnacle of silent film in its mix of documentary and naturalism.

 

Film Information

Director Edgar G Ulmer / Curt Siodmak
Genre Silent Film

 

Country Germany Language SILENT   Year 1929

 

DVD Extras

This Year � London (UK, 1951), a 25-minute film which follows the adventures of a Leicester-based shoe factory staff on their annual holiday outing; Filmmakers� biographies; 12-page booklet with film notes.

 

Technical Details

Certificate E   Length 73 mins   Label BFI
Cat No BFIVD648   Format DVD   Black & White
Region2   Aspect 1.33:1

 

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3 Stills

 

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Reviews & Articles

Share your thoughts and opinions - write a review

 

Review by John Davies on 20th March 2001

People on Sunday was made in the summer of 1929 by a group of enterprising and talented filmmakers at the start of their careers – Billy Wilder, Edgar Ulmer, Robert & Curt Siodmak, Fred Zinnemann and Fritz Lang’s inventive cinematographer Eugene Schüfftan. The result was a unique mix of documentary and fiction almost cavalier in the style and simplicity of its storytelling and full of the life of the streets in 1920s Berlin. It proudly proclaimed itself to be ‘a film without actors’ and the lives of the characters in the film were conflated with the real lives of the people who assumed those characters, even to the extent of them only being filmed on their day off, Sunday.

The storyline is a simple one of boy meets girl then prefers her friend, but this is beautifully weighted with a joyful look at people relaxing, sunbathing and picnicking on a Sunday by the Nikolassee. Society as a whole is the subject of the film, which still offers a genuinely fresh vision, and is enraptured by the beauty of the everyday.

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Review by Graeme Hobbs on 1st April 2005

People on Sunday was made in the summer of 1929 by a group of enterprising and talented filmmakers at the start of their careers – Billy Wilder, Edgar Ulmer, Robert & Curt Siodmak, Fred Zinnemann and Fritz Lang’s inventive cinematographer Eugene Schüfftan. The result was a unique mix of documentary and fiction almost cavalier in the style and simplicity of its storytelling and full of the life of the streets in 1920s Berlin. It proudly proclaimed itself to be ‘a film without actors’ and the lives of the characters in the film were conflated with the real lives of the people who assumed those characters, even to the extent of them only being filmed on their day off, Sunday.

The storyline is a simple one of boy meets girl then prefers her friend, but this is beautifully weighted with a joyful look at people relaxing, sunbathing and picnicking on a Sunday by the Nikolassee. Society as a whole is the subject of the film, which still offers a genuinely fresh vision, and is enraptured by the beauty of the everyday.

View more reviews by Graeme Hobbs

 

 

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Article - "Beautiful Spring; 10 Silent Classics" by John Davies
Monday 23rd September 2002

I hope with this selection both to challenge the prevailing notion of silent cinema as hopelessly primitive, and to encourage pleasurable discovery. Spurred by pioneers like the aptly named Lumiere brothers and Georges Melies, (whose fantasies seem sprinkled with mag...  View article in full

 

 

Article - "Living Pictures - The Early Days of Film" by Graeme Hobbs
Tuesday 10th October 2006

From cinema's very inception, its appeal has lain with the presentation of illusions and the recording of actuality. Here, Graeme Hobbs looks at how the intersection of these two elements provides us with some of the finest films of that era, and which continue to...  View article in full

 

 

 

 

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