Whatever Happened to Baby Jane? (Special Edition) Trailer
Star Review
It's now hard to watch this masterclass in grand guignol without thinking fondly of French and Saunders's exceptional parody or wincing at Vanessa and Lynn Redgrave's ill-judged 1991 remake. Indeed, such is the cultural baggage the picture now carries, it's almost impossible to imagine the sense of shock that audiences in 1962 must have experienced at seeing Hollywood legends of the calibre of Bette Davis and Joan Crawford risking their legacies in such a grotesque satire on Tinseltown celebrity. These weren't two grande dames seizing a last moment in the spotlight. They were Academy award winners courageously exhibiting that they had lost none of their ability to dominate the screen and were also capable of gnawing a little scenery if required. The Oscar-nominated Davis has the showier role. Before she descends into a madness inspired by the spirit of the child star persona that had warped her expectations of life, she is mischievously malevolent towards her wheelchair-bound sister. However, Crawford also excels in the suffering manner that had become her trademark since Mildred Pierce. Her pent-up duplicity reinforces the story's cruel horror, as she had exploited her sibling's insecurity to compensate for her own error of judgement. One shouldn't overlook the contributions of Victor Bueno for his larger-than-life turn as Davis's opportunistic accompanist, or cinematographer Ernest Haller, who turned the couple's mansion into a monochrome house of madness. Then there's Robert Aldrich, who not only had the intrepidity to cast two such icons, but also the nous to exploit their natural antipathy, ensuring that their off-screen rivalry manifested itself in the loathing that gives this enduring cult classic its grim fascination.
In a gloomy Hollywood mansion, a former child star tortures her crippled sister. A hugely entertaining exercise in overheated American gothic that exploits its legendary stars to the hilt with Davis grotesque and vindictive as Baby Jane, and Crawford as her wheelchair-bound sister.
In a gloomy Hollywood mansion, a crazy, drunken former child star plays out her fantasies and cruelly tortures her crippled sister. A hugely entertaining exercise in o... more >
In a gloomy Hollywood mansion, a crazy, drunken former child star plays out her fantasies and cruelly tortures her crippled sister. A hugely entertaining exercise in overheated American gothic that exploits its legendary stars to the hilt with Davis grotesque and vindictive as Baby Jane, contrasted with Crawford as her wheelchair bound, put-upon sister. Subtle it aint, but the overheated hysteria does achieve a kind of bizarre poetry. < less