An astonishing cast fills Huston's elaborate cold war espionage thriller, which emphasises the dark side of the game. It's a one-of-a-kind film, says James Oliver.
John Huston never could resist a shaggy dog story and this convoluted Cold War caper is one of his most elaborate. The titular epistle is a top secret document that could start World War Three; Western intelligence thinks the Soviets have it and dispatch a team of ace agents to grab it; once ensconced in Moscow, the spies go to elaborate – and morally dubious – lengths to discover its whereabouts.
Like so much of the Huston's greatest work, this is an uneven film: the plot is labyrinthine and the tone fluctuates wildly, beginning as a mode-ish espionage romp before diving into deeper water. With its emphasis on the darker side of the spy game, it can be seen as a counterweight to the popular fantasies peddled by James Bond: our cheerful heroes are cheerfully unheroic, indulging in blackmail, drug peddling and prostitution.
The Kremlin Letter is not one of Huston's best-known films but it deserves praise for its ambition and cynicism. It's also worth it for the improbable sight of George Sanders in drag.
Described by legendary French filmmaker Jean-Pierre Melville as 'magisterial', and featuring an astonishing cast including Orson Welles, Max von Sydow, George Sanders, Bibi Andersson, and Richard Boone, The Kremlin Letter is a black-hearted spy thriller directed and co-written by the legendary John Huston.
A potentially catastrophic diplomatic letter from the CIA must be recovered at all costs. Drafted in is Rone (Patrick O'Neal), a young agent with a photographic memory, to make his way through a treacherous maze of shadowy cities and shady characters.
Based on the acclaimed novel by Noel Behn, drawn from his work within the US Army Counterintelligence Corps, The Kremlin Letter is a brutal, level-headed examination of espionage, leaving behind any trace of gadgetry or glamour.