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Satyajit Ray films
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Narsingh is a disillusioned, frequently drunken, warrior caste Rajput reduced in status to an ill-educated taxi driver. Proud and hot-tempered, and with a passion for his 1930s Chrysler, Narsingh is offered work transporting tins of ghee for shady m... Our Price: £15.99 DVD | Available | Save £4.00 (20%)
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AKA Ganashatru. Ibsen's play translated to modern day Bengal. Our Price: £15.99 VHS | Available
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This first film in Satyajit Ray's 'Calcutta trilogy' is considered to be one of his best late films. In it, a young man, newly graduated from college, is unable to find meaningful employment. He lives in a crowded family apartment with his widowed m... Our Price: £13.49 DVD | In Stock | Save £1.50 (10%)
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Comprising Pather Panchali (1955), Aparajito (1956) and The World of Apu (1959). The 'Apu Trilogy' is justly celebrated as Satyajit Ray's finest achievement in film. The three films, each a masterpiece in their own right, are enormously touching in ... Our Price: £41.99 DVD | Available | Save £8.00 (16%)
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Ray's first film in a language other than Bengali - here English, Urdu and Hindi - is a gently humorous, acutely observed satire of colonialism and self absorption. Using the powerful symbolism of the chess games of two nobles to make an acute comme... Our Price: £15.99 DVD | Available | Save £4.00 (20%)
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The Satyajit Ray Collection (Volume 1) Three classic films from the renowned Bengali filmmaker, Satyajit Ray: Mahanagar, Charulata and Nayak. Mahanagar (The Big City) (1963), stars Madhabi Mukherjee as a housewife whose growing independence alarms her traditionalist family, and is an... Our Price: £25.99 DVD | Released 23rd Jun | Save £4.00 (13%)
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An Introduction As debut films go, Bengali director Ray's Pather Panchali (1956) must be one of the very best. That it won 'Best Human Document' at Cannes in the year of its release says much about its qualities. It is the first film in the 'Apu trilogy', the other two parts being Aparajito and The World of Apu, which follow the growing experiences of a young man as he moves to Calcutta. Ray's cinema was almost a complete personal expression - he was scriptwriter, director and camera operator, assisted in editing and art direction and often designed his own publicity material. Above all though, it is his quality of humanism that shines through his cinema.
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